Song: Dagabaaz Re Music: Sajid-Wajid Lyrics: Jalees Sherwani Singers: Rahat Fateh Ali Khan, Shreya Ghoshal Starring: Salman Khan, Sonakshi Sinha Dagabaaz re, haye dagabaaz re Tore naina bade dagabaaz re Deceivers, yeah, deceivers, Your eyes are big time cheats, deceivers.

Ho tore naina haye Naina naina naina haye Dagabaaz re haye dagabaaz re Tore naina bade dagabaz re Kal mile haan kal mile kal mile ee hum ka bhool gaye aaj re Daga baaz re haye daghabaaz re Tore naina bade dagaabaaz re They met (mine) yesterday, prov: we fell in love yesterday they met mine yesterday and forgot (me) today.

Kal mile haan kal mile Haye kal mile ee hum ka bhool gaye aaj re Haye dagabaaz re haye dagabaaz re Tore naina bada dagabaaz re Dagabaaz dagabaaz dagabaaz re Tore naina bade dagabaaz re Darta jahaan humse hum tose darte ee sab jaane mori raniya maska lagao na chhodo ji chhodo sab samajhti hai tori dhaniya is adaa pe to hum kurbaan gaye ji tohri na-na mein haami hai jaan gaye ji The world fears me and I fear you, everyone knows that O my queen.

What language is this Many words doesnt look like pure hindi.

But his onetime-partner in films, C Ramchandra, who from the middle of the forties started composing music and singing in films, suggested to him to make a social film.

As we have come to expect from her, these articles do not merely present the representative songs of the period, but also take us into the evolution of the song-making system, from the birth of talkies in 1931 to the 50s, and its impact on the popular culture.

She highlights the factors that make the fifties such a fascinating period.

I thank her for her diligent work and valuable contribution towards studying a specific type of songs, which are generally subsumed in the general category of duets.

Songs have been numbered continuously from the first part.

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Places where Gandhi and Nehru did not reach, there the Hindi films and songs and filmy stories reached, seducing the audience.

Winding gramophone records played songs at religious festivals and jatras.

Film posters and hoardings went up all over the place around which the monkeys and birds happily chirped and twitted.

He made many trips to Bombay from his base in Kanpur where he was working for a bank.

Only a few people had some memories and memorabilia, many film studios were in ruins and occupied by the homeless, beggars, vagabonds and all kinds of suspicious characters squatting in filth.

However things were difficult, Harmandirji was not going to be put off.

He found the people who would give him information and willingly part with the film booklets, posters and their memories etc.

Eventually he brought out a voluminous book about the songs of the films that were made in the 1950s.

In the seventies and eighties the film music was not that appealing in the films.

He then got himself busy in working on the songs of forties, then on to the sixties, and lastly on the 1930s as this was the most difficult decade to find information on.

After a hiatus of some years he also brought out Volume V for the decade of 1971-80, and Volume VI for half the decade 1981-85.

Without these works I would not have been able to write posts as I have done, nor so many blogs or research on film music would have been possible.

So I am extremely grateful and indebted to him, and I have no hesitation in saying that he should have been given highest awards for his contribution towards information regarding Hindi film music.

All cinema houses got overflooded with the cinema goers rushing to see the films.

More cinema houses were built with many facilities for the audience to relax and enjoy all over India in big cities and small towns.

But many theatre owners considered and created them for Ladies in newly built pleasure places for the film showrooms.

Most of the English Theatres in the downtown Bombay called Fort Area had already built in Ladies as they were for the ladies of the British Raj.

Now the VT is called a mouthful name Chhatrapati Shivaji Maharaj Terminus.

During the heydays of the British, the Capitol Theatre was for the opera, western music, and English plays and films for the British audiences.

But in the fifties it started showing Hindi films.

It is built of stones from Rajasthan then Rajputana.

Chidiya Sang Mein Baaz Ladava Meaning